GRAPHIC

Preserving its particular drawing sensibility, finally care inks, independent from his painting, seems to play the deepest sensibility of the artist that has produced them. This is “ represent the non presentable, to see the invisible, to touch the untouch”. If you observe his inks, we perceive a very fine draw. Made with style point burdened with refined calligraphic impulses that abstract the ornamental embrace that makes it lives and pulses of pure expressive energy.

Giorgio Trevisan, Art Critic
Italy
 

First attempt                                     1993 Drawing to ink 46 x 60 cm.	Landscape girl                                              1993 Drawing to ink 60 x 46 cm.
Sublime overflow                  1994 Drawing to ink 46 x 60 cm.	I see then I believe                        1994 Drawing to ink 46 x 60 cm.
Distant Winds                        1996 Drawing to ink 30 x 23 cm.	Sensuality and time                1993 Drawing to ink 46 x 60 cm.
Nearby Lady, distant                             1996 Drawing to ink 23 x 30 cm.	The girl is mimicry                1993 Drawing to ink 46 x 60 cm.
Window                                   1996 Drawing to ink 23 x 30 cm.	Reflection                                                      1998 Etching  55 x 63 cm.
Present time                                         1998  Etching 55 x 63  cm.	Regards                                 1998 Etching 55 x 63 cm